Nikita Vishnevskiy: Alla

Nikita Vishnevskiy: Alla

2024

SHE/THEY Gallery

NV Showroom

Active exhibition space in Santa Ana, California.

STALKER (intro)

C202 Gallery (Costa Mesa, CA)

Active exhibition space on 381 Hamilton Street in Costa Mesa, California. From February 2021 till March 2022.

Seven Visitors invite card

James Harley, Mojave Cactus, print on paper, 2020

UNSEEN HAND

2017, Knockdown Center, Queens, NY

NV: flowers and hips

2016, Hood Gallery, Brooklyn, NY

(Installation shot)

dan Waller: sacred sex

2016, Honey Ramka, Brooklyn, NY

dan Waller: sacred sex (installation shot)

dan Waller
temptation six
2015-16
6-3/4” × 9-1/4” × 8”
cardboard; plaster, metal screen, wood, cotton cloth, silk, cotton lace netting, cotton thread, plastic buttons, copper wire, plastic, found type, brass, printed bookend paper, hair and thorns.

dan Waller
regret six
1993
2-1/2” × 4-3/4” × 6-1/2”
cardboard; paper, rusted metal, wire, found type, thorns and lace

dan Waller
regret six (verso)
1993
2-1/2” × 4-3/4” × 6-1/2”
cardboard; paper, rusted metal, wire, found type, thorns and lace

dan Waller
shame six
2015-16
4” × 4-3/4” × 5”
cardboard; coated cloth, rusted metal, fake pearls, nylon stocking, found type, thorns and hair

dan Waller
shame six (verso)
2015-16
4” × 4-3/4” × 5”
cardboard; coated cloth, rusted metal, fake pearls, nylon stocking, found type, thorns and hair

dan Waller
shame five
2014-2015
4 1/2" x 5 1/4" x 2 3/4"
cardboard; coated paper, old book paper, rusted metal, silk stocking, wood, cotton thread, thorns and hair

dan Waller
shame five (verso)
2014-2015
4 1/2" x 5 1/4" x 2 3/4"
cardboard; coated paper, old book paper, rusted metal, silk stocking, wood, cotton thread, thorns and hair

dan Waller
exile #8
1983
4-3/4” × 3-3/4”
electric tool engraving, hardground etching, scraping, burnishing, scored and hand painted.

dan Waller
exile #12
1983
4-3/4” × 3-3/4”
electric tool engraving, hardground etching, scraping, burnishing, scored and hand painted.

Syntax lies

2015, cloying PARLOR, Brooklyn, NY

Syntax lies (installation shot)

Natasha Sharymova
Alley
2014
print on aluminum
24" x 36"

Syntax lies (installation shot)

dan Waller
shame four
1999-2012
cardboard, coated cloth, metal, metal screen, paper, glass, silk stocking, lace
4 1/2" x 5 1/8" x 5 3/4"

dan Waller
shame four (verso)

Syntax lies (installation shot)

Todd Fink
Syntax lies
2015
song lyrics printed on paper
119" x 54"

Todd Fink
Syntax lies (detail)

Syntax lies (installation shot)

Natasha Sharymova
The Cathedral
2013
print on aluminum
24" x 36"

dan Waller
shame three
1996
wood, coated cloth, leather, pearls, metal, metal screen, nylon stocking
4" x 6" x 6 3/4"

dan Waller
shame three (verso)

Syntax lies (installation shot)

Hippie Priest

2014, Honey Ramka, Brooklyn, NY

1. Disturbance is here. The rain soaked soil hinders the climb and distracts thought. Nearly falling, she treads against the hill. A strand of dark hair falls over her eyes. She brushes it behind her ear and looks warily toward the trees.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)
w/multichannel sound installation by Daniel Clay
Time Shrine (Clock Study 1)
2014
digital audio, computer, loudspeakers
dimensions variable

Nick van Woert
Untitled (Copper Large)
2014
copper
117” x 32” x 40"

2. She bends to the ground, sneaks between the trunks, and loses her way. The snapping branches under her feet sound no different than those of another animal. How those two touched by the window. Tangled thoughts dig nails into the sleeve of her jacket. The forest makes noises of its own.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)

Karen Boyer
Bugs
2012
ink on vellum
11” x 14”

Ben Finer
a part for a pocket and a pocket for a part
2014
paper, paint, tape, cheesecloth
dimensions variable

3. Once a glacier passed by here—shoving these boulders, unwilling to share the land. The rocks lumber one on top of the other and move toward her. A strange light shines on the pine tops, a projector’s light, not the sun. The pines melt. They drip down the rocks. The shadows follow and evaporate in the stillness of the grove. After stumbling hours and struggling over stones and slick moss—all but imperceptible was that moment when the soft ground gave way to rotten boards.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)

Suzanne Stroebe
One more time and always one more time
2014
mixed media
dimensions variable

Hippie Priest (installation shot)

4. The dahlias are in bloom. Along a thin, overgrown path stands a neglected home. Although grey, its porch and rails are strong. The roof droops like scales. Everything spins before her. The world is deformed. A system of distorted mirrors tilt slow and persistent. She grasps the rails for balance. She runs up steps towards a red door, opens it and disappears.
2014
vinyl lettering
dimensions variable

Karen Boyer
Knuckle Bill
2014
lace, soil
dimensions variable

dan Waller
Temptation #6 (front)
2014
cardboard, plaster, metal, metal screen, thorns, cotton cloth, cotton thread, hair, brass, copper wire, paper
5-1/2" x 3-1/2" x 10"

dan Waller
Temptation #6 (back)
2014
cardboard, plaster, metal, metal screen, thorns, cotton cloth, cotton thread, hair, brass, copper wire, paper
5-1/2" x 3-1/2" x 10"

Lars van Dooren
the flood (another garish foil)
2011-14
ink, graphite, colored pencil, block print, chalk pastel, metallic leaf, spray paint on mylar and paper
84" x 41-1/2" x 8"

5. Muddied light dulls the tarp covered walls. Inside, rib-like beams support the roof. A cloak on a hook hangs above a wicker basket, rubber boots inside. A hazy lace from curtained windows fogs the scattered pews and gilded remnants of the makeshift altar.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)

Lauren Nicole Woods
Hunting Portrait
2014
oil on canvas
36" x 36"

6. The tarps flutter from the draft. A blue corridor flashes as a chill sweeps and loops around the room. Her shadow splits between the corridor panels. She wavers into a room where the shadeless blue lamp burns.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)

Thomas Stevenson
The Invisibility Project (Protector)
2011
mixed media
20" x 38" x 40"

Thomas Stevenson
The Invisibility Project (Cowl)
2011
mixed media
16" x 16"

Hippie Priest (installation shot)

Steven Thompson
PRTS PR MLLN: 1. Pyramids, Hearths, Caves & Teepees
2014
plastic, tape, pins, and pencil
dimensions variable

Steven Thompson
PRTS PR MLLN: 2. Rattie Label
2014
plastic, tape, pins, and pencil
dimensions variable

7. A rusty hinge creaks open and tremors as it closes. She flies past the hallway and out of the room. Blind, she grabs at an empty frame of a nearby window. With a rattle the window opens. Climbing out into the daylight, she finds the forest path and slips back home.
2014
vinyl lettering
dimensions variable

Hippie Priest (installation shot)

Michel Gerard
Tools Inadequate to Function
2014
various objects, wooden drawer
9-1/2" x 32" x 16-1/2"

Marina Temkina
This skirt is a killer
2013-14
various clothing, accessories
dimensions variable

Hermaphrodite

2011, Invisible Dog Art Center, Brooklyn, NY

Lance Lankford "Panacea/Placebo", 2011, wood, fiber, metal, paper, glass, plaster, plastic, cat skin, 42 x 56 x 6 inches
Ivin Ballen "Sandwich Board", 2011, metal, wood, paint, 80 x 42 inches
Sarah Frances Kuhn “Ayshe aka Anita Phix at the Warhol Museum- Pittsburgh, PA May 2011” video loop

William McMillin "Double Jackets", 2003, two identical children's nylon parkas, dimensions variable
Natalie Labriola "Untitled" Temporary tattoos on magazine advertisement, 8 x 10
PW3 "Cobra Gimp", 2011, metal, string, and "Museum piece with fountain", 2011, wax, popcorn, cardboard, paper, metal bowl, dimensions variable
Nikita Vishnevskiy "Prepubescence", 2011, plaster, wood, binder clips, Buster Poindexter poster, plastic straws, graphite, paper, dimensions variable

Thomas Stevenson "Pink ball", 2011, soccer ball, paint, wood, 12 x 24 x 6 inches, and "X", 2011, wood, paint, glove, crystals, dimensions variable
Julie Lohnes "TREAD", 2007, single channel video, 1.22 minutes and "CLIMB" single channel video, 1.02 minutes

Michel Gerard and Marina Temkina "Perfect Proportions", 2011, fabric, photographs, chalk, markers, acrylic, plaster, 100 x 87 inches

Shannon McIntyre "You are someone's festivity", 2010, foam, wood, ribbon, tape, wrapping paper. 8 x 24 inches

Thomas Stevenson "Pink ball", 2011, soccer ball, paint, wood, 12 x 24 x 6 inches, and "X", 2011, wood, paint, glove, crystals, dimensions variable
Rebecca Gilber "Hush", 2010, 2-Channel audio, speakers, RCA cable, pedestals, 10:30 minutes, loop, dimensions variable

Lars van Dooren "Flattened Dirge", 2011, graphite, ink, colored pencil, gold leaf, spay paint on paper, laminate, linoleum, wood, dimensions variable

David Shull "Gender Gradients 1-5", 2011, charcoal on wall, framed xerox, xerox element: digitally manipulated photograph, dimensions variable

PW3 "Cobra Gimp", 2011, metal, string, and "Museum piece with fountain", 2011, wax, popcorn, cardboard, paper, metal bowl, dimensions variable

Nikita Vishnevskiy "Prepubescence", 2011, plaster, wood, binder clips, Buster Poindexter poster, paper graphite, plastic straws, dimensions variable

dan Waller "temptation four",1993, wood, plaster, cloth, metal, berry thorns, paper, hair, 10 x 7 x 5 and "temptation five", 2011, cloth, plastic, metal, cardboard, stuffing, 11 x 5 x 5 inches